In fact, the midnight sun in Sundance was a risky steward for a film, it lasted for a half hour better than the genre, and the moral, slow, first degree, that a less attractive director might not be brave enough. contain. This atmospheric beginning is important because you are used to this strange, fantasy world that has been torn from the fantasy book covers that Mandy has read in its stores.
At the same time, he puts mandy in a different room as well as the midnight movies, which shows some art house trends in the first half. With Benjamin Loeb’s neon lenses and Johann Johannsson’s superb score and a sharp shot with Riseborough, who squeezes some Sissy Spacek about carrie and his three daughters, he comes up with a stunning puck.